![]() Here they build lush cues that have hidden dramatic sweep to them, often with orchestral drums or deep floor-toms and percussion to heighten the music.Ī few of the key songs are included and while I don’t care too much for Judith Hill’s version of In The Air Tonight that’s less about her efforts and more about a personal aversion to any attempt to reconstruct that song – it’s a piece of mood-music so perfectly suited to its original arrangement that it never seems to work when picked apart and put back together the obvious missing piece is always Phil Collins’ drumming and drum programming.įar more successful here is BELLSAINT’s cover of Alanis Morrisette’s Uninvited (the original was for the movie City of Angels – reminding us also that the original was one of the better Morrisette songs) and Lauren Ruth Ward’s rendition of The Cure’s Pictures of You. Summers is a touring and recording member of Florence & The Machine she’s composed music for the band across most of the albums and has been an in-demand remixer, producer and session star for Beyonce, Nas, Iggy Azalea and Rita Ora (to name just a select few). ![]() ![]() The scoreis co-created by composers Mark Isham and Isabella Summers – they’ve worked together but have also composed on their own for many projects Isham is better known in film circles, having created and contributed to scores for TV and movies as far back as 1983 – he’s also, rather disappointingly, a scientologist. Great writing, acting, the works – brilliant use of score to heighten the dramatic tension in scenes and a nice little idea of playing with covers, basically doing them all in a modern version of a torch-ballad style but taking songs from the 80s and (mostly) 90s (the show is set, very specifically, in 1997). Little Fires Everywherewas a fantastic TV mini-series loved it.
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